Anto Lloveras is a transdisciplinary artist, architect and researcher whose practice moves across conceptual art, architecture, urbanism, performance and critical theory. With over 300 projects developed in cities such as Madrid, Mexico City, Lagos and London, his work explores the relationship between space, identity and transformation, creating frameworks that bridge disciplines through material gestures and relational dynamics. The approach integrates site-specificity, experimental methodologies and epistemological inquiry, resulting in works that blur the boundaries between permanence and process. In architecture, projects like Trole Building reconfigure industrial sites into adaptive relational spaces. In installation, the YELLOW BAG series uses a minimal object to trace movement and presence across urban contexts. In environmental psychology, pieces like Psicología Ambiental Hoy investigate perception and spatial memory. His conceptual device Socioplastics articulates these concerns as a dynamic field where structure, body and symbol interact. Lloveras also works in film (COPOS, a living archive of over 500 urban video pieces), performance (DOBLE CARA, exploring duality through choreographed movement), and across varied material practices. The textile-based project Re(T)exHile, presented at the IV Lagos Biennial, reflects on sustainability and memory through fabric, while KINGDOM enacts temporary interventions in landscape to examine fragility and ecological presence. His drawing series STONE GARDEN embraces the unfinished as method, tracing primal emotion through raw lines and intuitive forms. Many of these works investigate absence, decay and transformation, proposing an aesthetics of transition over fixity. In 2009, he founded LAPIEZA Relational Agency in Madrid as an alternative to conventional exhibition models. What began as a nomadic space for unstable installations has since evolved into a platform for research, collective experimentation and large-scale urban interventions. Through LAPIEZA, series such as TWINS, FRESH MUSEUM, and COSMOTIDIANO have activated public space as a canvas for narrative disruption and spatial dialogue, operating across geographies and disciplines. The core principle of this work is Socioplastics, a concept coined by Lloveras to define a transdisciplinary practice.